Fall TV Popularity Contest: Did The Secret Circle Cast a Spell on You?

The Secret Circle The witching hour began Thursday with the premiere of The CW's latest supernatural drama, The Secret Circle. Based on a series of books from the author behind The Vampire Diaries, The Secret Circle stars Britt Robertson as Cassie, a teenage girl who moves from California to Washington only to learn her new town is full of witches and that she also possesses magical powers. We want to know to know your thoughts - and what you think of every new series this season. Vote: Which fall premieres won you over? Which flopped? Do you want to join The Secret Circle? Are witches the new vampires? Or did the series feel like a Diaries copycat? Vote now! And don't forget to tell your friends and other fans to vote too. Check back to see what TVGuide.com users think of your favorite - and least favorite - new shows. And stay tuned to see the final rankings of the season's most liked and disliked freshman series. Here's our full calendar to help you keep track of when everything premieres and when to vote.

ABC Family Cancels 'The Nine Lives of Chloe King'

Kyle Bornheimer has inked a deal with ABC to produce and star in the comedy pilot he and also the brother Ryan pitched for the network.our editor recommendsKyle Bornheimer Joins Two Wedding-Designed Comedies (Exclusive) While particulars in the ABC Art galleries project are increasingly being saved under systems, the story centers around a Clark Griswold-esque father (Bornheimer) residing in a small town. The pitch was bought inside the room. Bornheimer's previous TV efforts include NBC'sPerfect Couples, ABC's Romantically Challenged andCBS'Worst Week.The in-demand actorwas attracted onto co-star in Peter Tolan's Council of Dadspilot, which Fox ultimately passed down in May. More recently, he's been filming two NY-basedfeatureprojects: Gary Sanchez Productions' Bachelorette, opposite Kirsten Dunst, Isla Fisher and Adam Scott, and Lionsgate's The Wedding, starring Robert P Niro, Diane Keaton and Katherine Heigl. Bornheimer is repped by CAA, Flutie Entertainment and attorney Todd Rubenstein at Barnes, Morris, Mark, Yorn & Levine. Ryan Bornheimer is repped by Brant Rose. Related Subjects ABC TV Casting TV Development

PHOTO: Emmy Host Jane Lynch Will get Jersey-licious for Sunday's Ceremony

Deena Nicole Cortese, Jane Lynch, Nicole 'Snooki' Polizzi and Sammi 'Sweetheart' Giancola Goodbye, tracksuit. Hello, hair pouf! When preparing on her Emmy hosting responsibilities, Jane Lynch required a visit lower the parkway to experience dress-track of three from the stars from Jersey Shoreline. "Take a look at us with Jane Lynch/Sue Sylvester, so awesome," Nicole "Snooki" Polizzi tweeted on Wednesday, connecting to some picture of her and Lynch with Sammi "Sweetheart" Giancola and Deena Nicole Cortese. "She's amazing! Can't watch for Sunday!" Browse the most dramatic celebrity refurbishments Lynch, putting on a lengthy brown-haired hairpiece, pink sweater and hot pink miniskirt, looks prepared to "go hard" and party in the Beachcomber with the best. Not sure yet on if the Glee star and Emmy nominee intends to walk the red-colored carpet in her own Jersey-inspired ensemble. The 63rd Primetime Emmy Honours air Sunday at 8/7c on Fox. Are you currently excited to determine Lynch get together using the ladies of Jersey Shoreline? What is your opinion they've available?

'Breaking Dawn' Trailer: Vampires of the underworld from the underworld, Werewolves And Babies, Oh My Gosh!

"The Twilight Saga" is formally entering the conclusion game, and director Bill Condon certainly doesn't seem to become yanking his punches. A totally new trailer for the beginning of "Breaking Beginning," the two-part "Twilight" finale, sunk its teeth into the web late last evening, also to say it's a doozy is a touch from the understatement. Extended have a look at Bella Swan's wedding? Check! An amount closer take a look at Bella and vampire husband Edward Cullen's hotly anticipated honeymoon? Oh, you bet'cha. And on top in the romance, there's enough action (werewolves abroad!) and potential horror (ain't nothing cute of a rapidly growing vampire fetus) to balance things out. Clearly, if you're a "Twilight" fan and you also missed last night's "Breaking Beginning" trailer premiere, you will set the bar to get an extremely awesome day. "Fantastic. Certainly the most popular [trailer] from the movies," Laura Byrne-Cristiano, who has TwilightLexicon.com, told MTV News about her "Breaking Beginning" trailer reaction. "In my opinion [director] Bill Condon absolutely nailed it. He got everything: action, romance plus an amazing range of individual shots. There's arrived at bond with 100 individual shots because trailer, which is just absolutely stunning." "My overall reaction is I loved it," added Kara Hassell of TwilightersAnonymous.com. "I don't think Bill may have done a far more acceptable job. He selected precisely what In my opinion everybody preferred to determine typically. It had been perfect, which i wasn't missing anything." Reveal everything you consider the "Breaking Beginning" trailer inside the comments section and also on Twitter!

Trailer Park Tuesday: Mole Hunting inside the U.S. Trailer for 'Tinker Tailor Soldier Spy' (VIDEO)

Since getting independence from their website inside the 1700s, Us citizens are actually pretty large fans of other dietary meals England. (Not bangers and mash, but that balances by helping cover their The Beatles.) Now, the jolly good chaps are delivering U.S. audiences with a lot of of the greatest stars in a single location for your approaching thriller 'Tinker Tailor Soldier Spy.' After delivering a teaser, a poster plus an worldwide trailer to date, Focus Features has finally dropped a domestic sneak turn to obtain your juices flowing. Watch ahead, and weigh within the very best and worst trailers previously week. 'Tinker, Tailor, Soldier, Spy' What's It About? A classic MI6 agent can get attracted from retirement to smoke out a mole who's treated the organization. Who's within it? Gary Oldman, Colin Firth, Tom Sturdy, John Hurt, Toby Manley, Ciaran Hinds, Mark Strong and Benedict Cumberbatch directed by Tomas Alfredson put together by Bridget O'Connor and Peter Straughan When Does It Emerge? 12 ,. 9, 2011 What Can We Consider a clip? Outstanding. Can't wait. What can you consider a clip for 'Tinker, Tailor, Soldier, Spy?'Looking good.Searching bad.Election 'The Raid' What's It About? A high-notch Jakartan SWAT team tries to take lower a drug our god simply by entering his heavily prepared apartment complex and killing everyone who stands inside their way. Who's within it? Iko Uwais written and directed by Gareth Evans When Does It Emerge? TBA, 2011 What Can We Consider a clip? Totally insane. Certainly excited for your one. What can you consider a clip for 'The Raid?'Looking good.Searching bad.Election 'Lovely Molly' What's It About? A troubled lady returns to her abandoned home where the recollections of her tortured youth return as psychosis. Who's within it? Gretchen Lodge, Johnny Lewis and Alexandra Holden directed by Eduardo Sanchez put together by Eduardo Sanchez and Jamie Nash When Does It Emerge? TBA, 2011 What Can We Consider a clip? It's written and directed with the guy who did 'The Blair Witch Project,' to make sure that counts for something. What can you consider a clip for 'Lovely Molly?'Looking good.Searching bad.Election Which movie are you currently presently most excited to find out? Photo because of Working Title.

Michelle Williams on Existence After Heath Ledger's Dying

“It’s changed generate an earnings start to see the world and the way I interact every single day. It’s changed parents I am. It’s changed the friend I am. It’s changed the kind of work that we really wish to accomplish. It’s end up being the lens through which I see existence — it’s all impermanent.” Concerning the eve of her turn as Marilyn Monroe throughout my Week with Marilyn, Michelle Williams opened up up around Style a little more about her career, family, and existence. Including: “I’m not lonely, but which includes a lot associated with what’s in my bed room table rather than what’s throughout my bed mattress.” [Style]

Take This Waltz

A Joe's Daughter and Mongrel Media presentation in association with TF1 Droits Audiovisuels, with the participation of Telefilm Canada, Ontario Media Development Corp. and Astral's Harold Greenberg Fund, produced in association with the Movie Network, Movie Central, Super Ecran and the Canadian Broadcasting Corp. (International sales: TF1 Intl., Paris.) Produced by Susan Cavan, Sarah Polley. Directed, written by Sarah Polley.Margot - Michelle Williams Lou - Seth Rogen Daniel - Luke Kirby Geraldine - Sarah SilvermanGiven how quickly movie characters tend to fall into bed with one another, it's especially rewarding to see writer-director Sarah Polley wring maximum tension, humor and emotional complexity from a young wife's crisis of conscience in "Take This Waltz." Despite a few tonal and structural missteps, this intelligent, perceptive drama proves as intimately and gratifyingly femme-focused as Polley's 2006 debut, "Away From Her." It's also flat-out sexy enough to appeal to discerning audiences of either gender, a marketably risque point that shouldn't go overlooked amid likely acclaim for the superb performances by Michelle Williams and Seth Rogen. Twenty-eight-year-old Margot (a red-haired Williams) is traveling in Nova Scotia when she has a strained first encounter with a guy about her age, Daniel (Luke Kirby). The awkwardness continues, even as an unmistakable spark ignites, when Margot and Daniel wind up seated together on their flight home to Toronto and share a taxi, only to realize they're across-the-street neighbors. This coincidence warns of an incipient preciousness, as do some of the scenario's quirkier aspects, especially the characters' occupations: Aspiring artist Daniel pulls a rickshaw, while Margot's husband of five years, Lou (Rogen), writes cookbooks specializing in chicken recipes. (Margot, for her part, doesn't seem to work much beyond irregular freelance writing assignments.) Margot and Lou's extended bouts of lovey-dovey talk can feel cloying, though one feels less inclined to gag when it becomes clear that Polley is etching one of the more personal and persuasive portraits of a modern marriage in recent movies. Margot's love for her big-hearted lug of a husband is obvious, as is her mild dissatisfaction with their routine, little of which escapes Polley's notice: not just the words they exchange but also their silences, body language, the positions they sleep in, even the way Margot hugs Lou while he's trying to cook, an invitation to foreplay he's slow to pick up on. The writer-director proves just as attentive to Margot's growing interest in Daniel, though their early interactions are so quirkily combative, it's not entirely clear what they're feeling is attraction. Any doubt on that front is removed when Daniel tells Margot exactly what he'd like to do with her physically, in a whispery monologue that quavers with eroticism. That the film's big seduction is carried out entirely through words indicates the subtlety of the register Polley is working in. Not that "Take This Waltz" shies away from bared flesh, having earlier treated viewers to a lingering eyeful in a women's locker room at Margot's gym. Though likely to appeal to male audiences for obvious reasons, this extended sequence also captures how at ease and unself-conscious these women feel in their own company, in contrast with their more guarded ways of relating to the men in their lives. So focused on emotional states and details that it provides little overall sense of where it's headed from scene to scene, the film spends much of its nearly two-hour running time agonizing over what Margot will or won't do. It's an engrossing if slow-building quandary, as well as a principled acknowledgment that certain temptations are easier entertained than acted upon. After Williams' powerful take on marital discontent in last year's "Blue Valentine," it will surprise no one that the actress again seems incapable of striking a wrong note in a performance that exposes layers of restlessness, uncertainty and sexual curiosity. The revelation here is Rogen, who reins in his boisterous persona but not his comedic instincts in a wonderfully affectionate, possibly career-best turn. As a potential home-wrecker, Kirby doesn't have sympathy on his side, playing Daniel with a hint of sleaze that plainly excites Margot even if the viewer's mileage may vary. Supporting-cast standout is Sarah Silverman, feisty and authentic as Lou's recovering-alcoholic sister; she figures heavily into a climactic scene that throws the picture temporarily off balance, though it springs from Polley's understandable desire to extend emotional closure to her characters. Pic was shot during a sweltering Toronto summer, and the heat comes through not only in the sexually charged atmosphere but also the warm-colored interiors of Matthew Davies' production design. Aided by d.p. Luc Montpellier, Polley shows an impressively ripening visual sense, from a tracking shot that repeatedly circles her characters to the recurring close-ups of their feet as they walk, as if to underscore the idea of different paths through life. Most memorable selection on a soundtrack boasting plenty of Canadian talent is the Buggles' "Video Killed the Radio Star," used here to poetic effect.Camera (color), Luc Montpellier; editor, Christopher Donaldson; music, Jonathan Goldsmith; music supervisor, Jody Colero; production designer, Matthew Davies; art director, Aleks Marinkovich; set decorator, Steve Shewchuk; costume designer, Lea Carlson; sound (Dolby Digital), John Thomson; supervising sound editor, Jane Tattersall; supervising re-recording mixer, Lou Solakofski; re-recording mixer, special effects coordinator, Laird McMurray; visual effects supervisor, Robert Crowther; visual effects, Rocket Science VFX; stunt coordinator, Alison Reid; line producer, D.J. Carson; associate producer, David Sandomierski; assistant director, Daniel J. Murphy; casting, John Buchan, Jason Knight. Reviewed at Toronto Film Festival (Gala Presentations), Sept. 11, 2011. Running time: 116 MIN. Contact Justin Chang at justin.chang@variety.com

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